Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134   Cantata for Easter Tuesday (third version).   Cantata  BWV 134 belongs to those works in which we can follow particularly  clearly Bach's custom of continually altering and improving his works  from performance to performance.   Although this cantata in the  course of its history became a valuable even a particularly festal  church cantata it does not disown its secular origin.  The complete  absence of blblical words and chorale is striking. Urtext of the New BachEdition   Full score & performance material (BA10134) vocal score (BA10134-90) available for sale  

Ein Herz dass seinen Jesum lebend weiss BWV 134   Cantata for Easter Tuesday (third version).   Cantata  BWV 134 belongs to those works in which we can follow particularly  clearly Bach's custom of continually altering and improving his works  from performance to performance.   Although this cantata in the  course of its history became a valuable even a particularly festal  church cantata it does not disown its secular origin.  The complete  absence of blblical words and chorale is striking. Urtext of the New BachEdition   Full score & performance material (BA10134) vocal score (BA10134-90) available for sale  

Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Cantata for Easter Tuesday (third version).Cantata  BWV 134 belongs to those works in which we can follow particularly  clearly Bach's custom of continually altering and improving his works  from performance to performance.Although this cantata in the  course of its history became a valuable even a particularly festal  church cantata it does not disown its secular origin.  The complete  absence of blblical words and chorale is striking. Urtext of the New Bach Edition Fullscore & performance material (BA10134) vocal score (BA10134-90) available for sale

Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Cantata for Easter Tuesday (third version).Cantata  BWV 134 belongs to those works in which we can follow particularly  clearly Bach's custom of continually altering and improving his works  from performance to performance.Although this cantata in the  course of its history became a valuable even a particularly festal  church cantata it does not disown its secular origin.  The complete  absence of blblical words and chorale is striking. Urtext of the New Bach Edition Fullscore & performance material (BA10134) vocal score (BA10134-90) available for sale

Cantata for Easter Monday-Bleib Bei Uns Denn Es Will Abend Werden BWV 6Cantata for Easter Monday- Full score & performance material (BA10006) vocal score (BA10006-90) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such ascouncil inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

Kantate Zum 1. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Drinker, Henry (Trad. ) BWV 39/ Répertoire / Solistes SAB, Choeur SATB, 2 Flûtes à Bec F1, 2 Ha

Motet for two four-part mixed choirs-Komm Jesu komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

Motet for two four-part mixed choirs-Komm Jesu komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

Motet for two four-part mixed choirs-Komm Jesu komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

Kantate Zum 15. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Horn, Paul (Arr.) - Wicker, Jutta (Trad.) - BWV 99/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè